Addressing the ever-shrinking credibility of rock journalism since 2007. With a sasquatch.
Showing posts with label Rock. Show all posts
Showing posts with label Rock. Show all posts

Tuesday, May 20, 2014

Deep Cuts: Rock

Shannon And The Clams - Sleep TalkOakland, California based retro rock Shannon and The Clams are a three piece band that combines elements from garage, punk, classic R&B and Motown into their own brand of rock 'n roll. This group, made up of Shannon Shaw, Cody Blanchard
and Ian Amberson on drums, stand out due to the raw clarity of the band's influences and edgy subject matter.

For example, the first track from 2011 Sleep Talk, Baby Don't Do It, features a character running through the darkness with a machete that "glints by the light of the moon" that is sung with shades of The Ronettes with a sharp set of measured guitar chords ringing out with the tight precision of a rhythm section - or maybe a lovelorn serial killer.

In an interview with the blog Still In Rock from 2014, the group says they met in 2009 while attending the California College of the Arts.

"We had a class together and thought one another was lame until we saw each others videos in class. We realized we were the only cool freaks in the class and have basically been best friends ever since."

The group has three studio albums to date including: I Wanna Go Home (2009), Sleep Talk (2011) and Dreams in the Rat House (2013).

Shannon And The Clams - You Will Always Bring Me Flowers
References:

Monday, March 31, 2014

Deep Cuts: Experimental

Wood Find Them Empty SingleWoods is an interesting three piece band based in Brooklyn, New York since 2005. Their instrumentals are complex and rollicking and Woods even go so far as to have a "tape player" G. Lucas Crane who acts as a DJ, soundman and back up vocalist on stage.

The group's leader, guitarist and vocalist Jeremy Earl uses one style of vocals, an eerie falsetto, that is so close to the female register that a listener could swear to it being female. While this is great, in the tradition of Billy Corgan from Smashing Pumpkins, to have a unusual vocal style - Earle's same falsettto is over used on each song on each album. To make matters worse the emotional effect of hearing the same worried falsetto voice creates a sense of impending failure that becomes hard to hear repeatedly.



References:

Tuesday, February 11, 2014

Deep Cuts: Godzilla Rock

Daikaiju - Monsters Of SurfNo not Pink Floyd's The Wall or Yes's Tales from Topographic Oceans but concept rock with 500 foot tall monsters being battled by an elusive group of brave superheroes called Daikaiju (pronounced DIE-kai-joo).

Kaiju and specifically Daikaiju means giant monster and "godlike" giant monster respectively. The terms originate from the Japanese film genre where Godzilla and Power Rangers emerged from. Very appropriately too because the members of the band have discarded their actual identities and are known as Secret-man (guitar), Rock-man (guitar), Hands-man (drums) and Rumble-man (bass).

Self-described as a band that "creates divine psychic wind for your special defense!" the group is known for their national tours and transcendent live performances. Their sound comes from the best of surf and garage is like seeing to a Man Or Astroman? show with Dick Dale playing lead. Very little of the bands origins or current base of operations is known at this time.



References:

Wednesday, October 9, 2013

Deep Cuts: Metal

Death - Scream Bloody GoreDeath is an American metal band founded in 1983 by Chuck Schuldiner in Orlando, FL. Death released seven definitive albums including "Scream Gore Death" and "Spiritual Healing". Their best albums have been re-released in 2011 and have quickly found another generation of fans that have grown tired of slick, over-produced pop masquerading as metal or "hard rock" including Avenged Sevenfold, Incubus, Linkin Park and many other modern "rock" bands.

Death's first album in 1987, Scream Bloody Gore, flushes synth pop, sample based loops, drum machines and the vapid glitter of modern music directly down the maggot hole with biting tracks and a no nonsense approach to recording that reflects the best of the genre. Sadly, the band ceased to exist after Schuldiner died of brain cancer in 2001.

Death - Zombie Ritual
References:

Saturday, October 5, 2013

Deep Cuts: Alt Rock

Quilts by Explode Into ColorsExplode Into Colors were a three-piece band made up of Claudia Meza on vocals/bass with Lisa Schonberg and Heather Treadway. The trio gained a large following from 2008-2010 in Portland, Oregon by bringing their raucous and energetic sound to upscale venues like the Portland Museum in January of 2010 and at SXSW in 2009.

It wasn't until the band's breakup in July of 2010 that an "official" release, courtesy of Kill Rock Stars, came out. This six track album contains some of their strongest work including "Sharpen The Knife" which mixes rock and analog dub into an act of controlled chaos.




References:

Saturday, March 23, 2013

Deep Cuts: Alt-Rock

The Growlers Hung At HeartThere many descriptions of southern California's The Growlers. They enjoy a large audience on national college radio which, God bless it, calls the group everything from folk to psyche rock. The truth seems to be that they incorporate everything in between these two musical polar opposites and make these influences into their own sound.

The Growlers formed in 2006 and are based Orange County, California. The band consists of Brooks Nielsen (vocals), Matt Taylor (lead guitar), Scott Montoya (drums, formerly bass) Anthony Braun Perry (bass) and Kyle Straka (keyboards, guitar). Since playing SXSW in 2010 the group has steadily been growing in popularity.

The band's third album, Hung at Heart, was released on January 22nd 2013.

The Growlers - One Million Lovers
References:

Wednesday, March 20, 2013

Deep Cuts: Americana

Jamie N. Commons - Rumble And SwayThe unusually gifted and soulful work of Jamie N. Commons has been prominently featured in TV's runaway smash hit show The Walking Dead on the AMC network. His track "Lead Me Home" seems like the work of a much older blues troubadour, singing to a dusty, mostly empty Mississippi roadhouse, opening up for a grumbling Nick Cave. But, this work is in fact from a 20-something musician from England.

Commons' debut album Rumble And Sway was released March 5th 2013 and performed live at SXSW in Austin, Texas on March 14th. It features even more brilliant song-writing from the dry, harsh places in America. There are tales of greedy priests and a failing search for a connection to God in the middle of stinking corruption. It's all told in Commons' unmistakable vocal style and frantically intricate guitar picking.

Jamie N. Commons - Lead Me Home
References:

Wednesday, February 20, 2013

Shows: Zero Boys, Hives and Black Angels

The Hives@The Vogue 04/04/2013
The Hives
The Zero Boys open for the The Hives at the Vogue in Indy on March 4th 2013.

This Spring there are two incredible shows coming to The Vogue in Broad Ripple in north eastern Indianapolis. On March 4th 2013, punk institution The Zero Boys are opening for Swedish post-punk phenomena The Hives. The Hives are a dynamic band with heavy influences coming from Iggy Pop and The Stooges and MC5 with a wild, irreverent nod to some modern post-punkers including Franz Ferdinand and in the same "high energy" style and tempo of The Vines.

The Hives began as a high school house party band in 1993 and went to on to major label success in 1997. Their hits include "Main Offender" from their break-out album Veni Vidi Vicious in 2002 and "Tick Tick Boom" from 2007's The Black And White Album. In 2006, Spin Magazine rated The Hives in the top ten best live rock shows. Notably The Hives covered "Civilization's Dying" by The Zero Boys in 2010 on an EP titled Tarred and Feathered.

The Black Angels@The Vogue 05/07/2013
Black Angels
The Black Angels based in Austin, Texas will be playing the Vogue in Indy on May 11th 2013.

The next can't miss show is also at the Vogue on May 11th 2013. The Austin Texas based psyche-rock (neo-psychedelic) The Black Angels have begun to explode in terms of popularity in the past 10 months beginning with headline the Austin Psyche Fest in 2012 and being featured on NPR's "Tiny Desk" pod and telecast.

Formed in May 2004, the band's name comes directly from the Velvet Underground song "The Black Angel's Death Song".

Each of The Black Angels four albums (Black Angels, Directions To See a Ghost, Phosphene Dream and Passover) are each amazing. There are Doors inspired vocals from frontman Christian Bland and guitarists Rishi Dhir and Alex Maas and plenty of fresh originality as they flesh out a genre that ended when The Ramones broke folk's collective back once-and-for-all in the early 1970's.

References:

Monday, January 28, 2013

Deep Cuts: Noise/Sludge

Convocation/Chrissakes Split LPChrisakes are an Athens, Georgia band. Athens is famous in the south for being the flashpoint for bands like R.E.M., Danger Mouse, Drive-By Truckers, Harvey Milk and Of Montreal. With so much distinctive and good music coming out of one town it's hard to get noticed as a band - unless you are Chrissakes.

Part Jesus Lizard, part Big Black and part Seattle sludge rock, Chrissakes was formed in 2007 with Drew Smith on Guitar/Vocals, Helen Rhinehart on Bass and Rob Thomason on Drums.

The band broke up in 2012 after Rob Thomason left the group but has left a strong impression among rock music fans with the LP Convocation, released in March of 2011, by Buffalo's One Percent Press.




References:

Sunday, December 16, 2012

Deep Cuts: Psychedelia

The Laurels - PlainsThe Laurels, formed in 2006, are a very talented and well-rounded alt-rock act from Sydney, Australia. The group made a strong showing at the 5th annual Austin Psych Fest in April in Texas and are currently looking for American distribution.

The Psych festival, itself, showcases underground acts such as The Black Angels and The Brian Jonestown Massacre (this year's headliners) and is a growing platform to launch acts into the national arena.

The Laurels are strongly influenced by periphery 90's rock acts such The Jesus And Mary Chain as well as a strong resemblance to the later Beatles "looser" song structure. There are also comparisons between the band and early Oasis vocal harmonics as heard in their first EP, Mesozoic, released in July of 2011. Their new full-length album Plains was just released in July of 2012 on the Australian Rice Is Nice label.




References:

Thursday, October 18, 2012

Shows: Fall/Winter 2012

Local HMason JenningsBuffalo Killers
Gig posters for Local H, Mason Jennings and Buffalo Killers all on tour now.

There are quite a few good indie, rock and Americana shows coming to Indianapolis this Fall and Winter. Many are off-beat, original and interesting acts that are on tour during the last of good traveling weather and won't be seen again in central Indiana for many months!

Friday 10/19/2012 Here Come The Mummies @ Piere's
Just before Halloween Here Come The Mummies play Piere's in Fort Wayne.

Friday 10/19/2010 Trampled By Turtles @ The Vogue
Trampled by Turtles are an intense blue-grass folk started in Duluth, Minnesota known for their intricate performances of traditional instruments. The group has found a place on Billboard's bluegrass charts and stayed for for 52 consecutive weeks. Their music has been featured in TV shows including Squidbillies.

Saturday 10/20/2012 Local H @ Radio Radio
Local H is a longtime alternative rock duo, formed by Scott Lucas (lead vocals, guitar, bass) as a trio in Zion, Illinois outside Chicago in 1987. They've their share of struggle and massive success with "Bound To The Floor" in 1996. The band, now on Slimstyle Records, is touring in support of their new album Hallelujah! I'm a Bum.

Friday 10/26/2012 Mason Jennings @ Radio Radio
Mason Jennings is an excellent musician and performer of alt-country and bluegrass music who began his career as the bar band for the 400 Bar in Minneapolis. Today, at 37, he has 15 nationally released albums and a documentary titled "Use Your Van".

Thursday 11/15/2012 Buffalo Killers @ Radio Radio
The Buffalo Killers are a Cincinnati based band who bring back to life the psychedelic and rock-folk rhythms of Buffalo Springfield and CCR. Their track "Get Together Today" takes layers of dust off the late 1960's rock movement and re-charges it with urgency.

Friday 11/16/2012 Here Come The Mummies @ The Vogue
Just after Halloween Here Come The Mummies play The Vogue.

Friday 11/23/2012 Reverend Peyton's Big Damn Band @ The Vogue
Reverend Peyton's Big Damn Band is a three-piece American country and blues band from Brown County, Indiana, living in a rural area north of Nashville, IN. They play more than 250 dates per year at venues ranging from bars to festivals. To date, they have released eight albums. On August 7th 2012 they released their newest album "Between the Ditches".


References:

Friday, September 28, 2012

Deep Cuts: Alt-Rock

Sad Sappy Sucker by Modest MouseOriginally slated to be Modest Mouse's debut album, "Sad Sappy Sucker" was shelved for several years until it's eventual release in 2001. This came after the popularity of smash hit album The Moon & Antarctica (3rd Planet, I Came as a Rat, Lives Like Weeds) released in June of 2000. The Moon & Antarctica dwarfed the group's early work on The Lonesome Crowded West (Polar Opposites) released in 1997 and Build Nothing Out Of Something (Never Ending Math Equation) a compilation album of work recorded from 1996 to 1998 that was released in early 2000.

Several of the unpolished and short songs on "Sad Sappy Sucker" were recorded at Olympia, Washington's Dub Narcotic Studios from 1994 to 1995 only a year after the band had formed. This record was officially released by K Records (Halo Benders) on April 2001, available in both Compact Disc and vinyl LP, and containing a total of 23 songs.

Modest Mouse - Red Hand Case
References:

Sunday, September 23, 2012

Deep Cuts: Rock

Jordan Blackmon Pussy Wizard Songs From Last WinterPussy Wizard is a rock band with an outrageous name led by Jordan Blackmon, Toro Y Moi guitarist, who recently debuted his solo project Pussy Wizard in February of 2012. His new EP "Songs From Last Winter" released in September of 2012 is a more tightly polished album with even more depth - in terms of performance and style.

Jordan, originally from Columbia, SC., lives and works in Los Angeles today where he still plays and tours with Toro y Moi, writes songs and designs the unique art from all of his solo efforts. His music mixes raucous humor, angst, solid rock skills and bitter-sweet sentimentality.




References:

Friday, September 14, 2012

Deep Cuts: Alt-Rock

The Brian Jonestown Massacre AufhebenAnton Newcombe is the leader of the Brian Jonestown Massacre founded in the early 1990s in San Francisco. The band's name "The Brian Jonestown Massacre" is a mash-up of The Rolling Stones' founder and guitarist Brian Jones and the infamous mass cult suicide in Jonestown, Guyana led by Jim Jones in the late 1970's. Combining the two seemingly similar but polar opposite terms reflects a cruel contradiction in American popular culture.

The group's new album “Aufheben” or “Aufhebung”, released in May of 2012, is another contradictory word. This time, a German word with several contradictory meanings, including "to abolish" or "to preserve".

The album “Aufheben” was recorded in Berlin at Anton Newcombe’s studio and at the East German Radio Station “Studio East” and released on A Records. This album found original member of the band, Matt Hollywood, back for some tracks and features Will Carruthers of Spritualized.

Key tracks include Panic In Babylon, Gaz Hilarart, Illuminomi, I Wanna Hold Your Other Hand and Walking Up To Hand Grenades.

Brian Jonestown Massacre - Walking Up To Hand Grenades


References:

Wednesday, August 22, 2012

Shows: Jesus And Mary Chain@The Vogue


Alt-rock originals The Jesus And Mary Chain will be playing in Indy on Thursday September 20th 2012.

From the Scottish band's formation in 1983 to it's break-up in 1999 the co-founding Reid brothers careers in music have seen the first wave of Punk, the introduction of Metal, Hair, Grunge and the full blossoming of Alt and Indie.

Over this 16 year period in rock, The Jesus And Mary Chain has carved their own unmistakable brand of searing, distinctive guitar rhythms, pounding drums and vocal performances that ranges from utter detachment to hard-hitting and sinister.

The band embodied disenchanted, disenfranchised groups of young people who were educated enough to see through bleak, pre-packaged "First World" lifestyles that only seemed to perpetuate more mindless behavior. There was a glowering fury at pointless and deeply ingrained ignorance that happily perpetuated injustice, hypocrisy, illness and then failed to acknowledge the existence of a personal identity outside of societal norms.

After a eight year split, in January of 2007, the band confirmed for Coachella, re-formed. The Reids new line-up includes Phil King on bass, Loz Colbert on drums and Mark Crozer on guitar. The Jesus And Mary Chain will be playing in Indy on Thursday September 20th 2012 as part of a new international tour.


References:

Thursday, August 9, 2012

Deep Cuts: Neo-Pyschedelia

The Laurels - PlainsThe Laurels, formed in 2006, are a lesser known act from Sydney, Australia. The group made a strong showing at the 5th annual Austin Psych Fest in April in Texas and are currently looking for American distribution.

The Psych festival, itself, showcases underground acts such as The Black Angels and The Brian Jonestown Massacre (this year's headliners) and is a growing platform to launch acts into the national arena.

The Laurels are strongly influenced by periphery 90's rock acts such The Jesus And Mary Chain as well as a strong resemblance to the later Beatles "looser" song structure and and early Oasis vocal harmonics as heard in there first EP Mesozoic in July of 2011. Their new full-length album Plains was just released in July of 2012 on the Australian Rice Is Nice label.




References:

Wednesday, June 6, 2012

Deep Cuts: Proto-Glam

New York DollsThe New York Dolls sucked. They were an "image" band that posed as tranvestites and screamed like angry Bowery Bums yet they sold 10 million records. In 2003, The New York Dolls self-titled album was also named one of the 500 Greatest Albums of All Time by Rolling Stone. To top things off, they played a wildly successful reunion show in 2011. And yet, they still sucked.

Singer David Johansen, a.k.a. Buster Poindexter, later to become an accomplished solo vocalist, actor and musician, headed up this line-up of faux transsexuals from 1971 to 1974 where he successful introduced NYD band groupie and notorious murder victim Nancy Spungen to Sex Pistols bassist and notorious murderer, Sid Vicious. In 2004, the band officially re-formed to meet teeming crowds of fans.

New York Dolls - Personality Crisis
References:

Friday, June 1, 2012

Deep Cuts: Psychedelic

Donovan Sunshine Superman2012 Rock 'n Roll Hall of Fame inductee Donovan has a dubious reputation as The Pop Star Who Lost An Argument With Bob Dylan - famously documented by cameras backstage in a portion of D.A. Pennebaker's classic 1967 documentary Don't Look Back when Bob Dylan and Donovan surrounded by a hoard of reporters and hangers-on (all in quasi Beat regalia - shades and sandals). After Donovan played a trademarked wistful, chart-topping love song ("To Sing For You") Dylan followed up by playing a wry-faced version "It's All Over Now Baby Blue".

The difference between the two men was immediately obvious. Donovan was a talented pop star. Dylan was a musical genius. Donovan deservedly wowed crowds. Dylan rocked the world at it's emotional core with his own undeniable tales of hardship, struggle and endurance. Dylan's music was, and is, something people associated very much with the American spirit. A tale of an unending war being fought against poverty, greed, hypocrisy and maliciousness.

Donovan's music seemed like a dull narcotic in comparison. Nonetheless, Donovan recorded hit songs that are still in circulation on the radio today including Season Of The Witch and Mellow Yellow.

Donovan - Season Of The Witch
References:

Thursday, May 31, 2012

Deep Cuts: Experimental Rock

Ween The PodThe Pod is the second studio album by Ween, originally released by Shimmy Disc in September of 1991. The Pod was named for the apartment Dean and Gene shared in which all of the album's songs were recorded is the the band's most surreal record.

The cover art on this album is a take-off of the 1975 The Best of Leonard Cohen record cover. Ween simply positioned a photo of Mean Ween's head (wearing a "nitrous oxide powered bong" which is sometimes mistaken for a "Scotchgard bong") over Cohen's cover art. The Pod, according to Ween-lore, was written under the influence of Scotchgard, but this was later refuted by Gene and Dean themselves as being "the most slime-bag thing we could think of". The contraption on the cover of The Pod is not a Scotchgard inhalation device, but a bong-like device used to send THC directly to the brain by use of nitrous oxide, which was said to leave the user intoxicated for days.

Ween - Sketches Of Winkle
References:

Tuesday, May 29, 2012

Deep Cuts: Alt-Rock

Beck Mellow GoldThe title track from Mellow Gold, recorded in 1991 by Bongload Custom Recordings in L.A., introduced the world to Beck Hansen two years later in 1993. An infectious slide guitar driven melody, the single's chorus of "I'm a loser baby, so why don't you kill me," became unavoidable. Beck released Mellow Gold (1994), his Geffen/DGC Records debut, in early 1994 to critical acclaim. The album included the aforementioned single as well as the live staple "Beercan", and showcased Beck's love of all things musical. Elements of folk, punk, blues, noise and hip-hop informed the varied sounds on the album. He also released two independent albums during this period including the melancholy, folk-tinged One Foot In The Grave (K Records) (1994).

Beck toured extensively over the next year and a half, most notably appearing on the main stage at the 1995 Lollapalooza tour. Afterwards he returned to the studio and emerged in the summer of 1996 with Odelay which sold 2.3 million copies and won two Grammys in 1997. Since then, Beck has stunned the music industry with each of his ensuing albums including his outrageously party anthem-esque Midnite Vultures (1999), downbeat and melodic Mutations, thundering heartbreak in Sea Change (2002), groove-laden samples and street culture in Guero (2005) and exploring new soundscapes in The Information (2006) and Modern Guilt (2008).

Beck - Corvette Bummer

References: