Addressing the ever-shrinking credibility of rock journalism since 2007. With a sasquatch.
Showing posts with label New Photographers. Show all posts
Showing posts with label New Photographers. Show all posts

Monday, August 22, 2011

Screen Shots: Warrick Page

Israel border guard photo by Warrick Page
Israel border guard photo shot by Warrick Page in Winter of 2004.

Photojournalist Warrick Page is a native of Melbourne, Australia who graduated from Deakin University in Victoria with a B.A. in in Professional Writing and Journalism in 2003. As of 2004 Page began actively working as a photographer/stringer for the Associated Press in the Middle East.

His first professional assignment as a photojournalist involved spending over 4 months in Israel and Palestine photographing the constant unrest for global news services. Afterwards, Warrick moved to onto Pakistan where he has been based since November of 2004 working as a freelancer for Panos Pictures.

Page continually demonstrates a very high regard for his subjects regardless of their nationality. Page displays an almost supernatural eye for their stories and surroundings which are almost always at war by bringing out the undeniably human tragedy of all those who are caught in the crossfire of Middle East politics.

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Thursday, August 7, 2008

She gave the term sex act a whole new meaning: The Art of Alejandra Guerrero

Alejandra Guerrero
Sometimes, words should fail us. This is one of those times.

One of the best new American photographers I'm aware of is Colombian born Alejandra Guerrero. In her work she explores and challenges female roles as sex symbols and is an active participant in her own carefully staged, emotional charged tableaus.

I came across her photo sessions, on Flickr, with pop sex goddess Julie Strain - a woman who has been photographed from every angle and every position possible. The key difference between all the illustrations and photos that I'd seen prior was that Alejandra included herself in the photos as a photographer. One with a searching eye. She appears to be trying to understand the mystifying attraction of Julie and also asking herself where she fits into the wider audience.

Alejandra is also a very beautiful model. When she is in front of the camera there is an hypnotic obsessive search occurring. A search that revolves around defining crucial mile markers of self-image and esteem. I dig the way she stares back into the barrel of the camera lens sharing a candid reflective moment.

In her serious work behind the camera, there are often extreme contrasts (clothed vs. naked, tied vs. free, beautiful vs. ugly) represented through two models having these kinds of wild physical encounters that often have a third party included as a voyeur (A, B, C). Her work is deeply provocative and sexually charged. Even the stuff that borders on porno borrows all the cliches - w/out the back hair or penetration but with the burning vitality. In this aspect, the themes of her compositions edge their way into deeper classifications of the nature of desire. Raw savage foreplay.

Alejandra's work explores the nature of being a viewer and empowers those who are viewed. She gives the term "sex act" a whole new meaning. Challenging, feisty new work.

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