Addressing the ever-shrinking credibility of rock journalism since 2007. With a sasquatch.
Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Sunday, December 18, 2011

Deep Cuts: Punk Rock

The Clash SandinistaA Happy Christmas to you happy campers with something real special for this fine Christmas season - The Clash's fourth studio album, Sandinista originally released in 1980. The album was named after a grass-roots revolutionary party formed in Nicaragua that eventually became the ruling government after many years of struggle. The album was released while the Sandinista were actively fighting in the hills for power against the remnants of the previous regime.

The 36 song collection was re-released in 1990 as contemporary bands that The Clash toured with in the 70's and 80's had begun fading away due to bitter in-fighting and sheer exhaustion. By 1990, The Ramones had played nearly 2,000 shows and the lead singer for DK, Jello Biafra, was being sued by his own band for a quarter of million dollars plus legal expenses.

This three-disc collection collects some of the best and most over-looked anthems inspired by Combat Rock and London Calling including: Career Opportunities, Silicone On Sapphire and The Police On My Back, a searing political song originally by punk-reggae outfit The Equals in 1965.

The Clash - Police On My Back


Deep Cuts: Punk Rock

The Clash London CallingThe Clash were definitive of rock's evolution away from trippy, folkie, hippie jam bands that dominated 1970's rock culture. Instead of cheap moccasins or blue suede shoes they rocked the scuffed combat boots and sung about survival in the DMZ of urban England. Turns out, a lot of kids could relate.

London Calling laid out ignored social troubles, a sense of being a helpless individual caught in the rusty gears of society, dirty politics and living in the middle of drug epidemics. Joel Strummer, the driving force behind the group, reacted by forging real anthems against any and all of these urban obstacles.

For a great many people - this was the story of their lives. The Clash's landmark London Calling album from 1977 turned these untold stories of struggle against local and international corruption (The Guns Of Brixton, Death Or Glory) over sometimes overly glossy production techniques but always with raw emotion. Songs like Lost In The Supermarket are fun and witty while also looking at widespread, crass commercialism or modern consumerism as societal means to temporarily satisfy deeper human needs.

The Clash - Death or Glory


Friday, February 5, 2010

Under Review: Nosferatu D2

London's Nosferatu D2 Halloween 2006
London's Nosferatu D2 Halloween of 2006. Photo courtesy of Click Music.

The Parker brothers, Ben and Adam, are the song-writers behind the on-again-off-again London based Nosferatu D2. The crowd favorite is known for their melodic maelstorms of flattened hopes and lofty dreams that are all well out of reach. With very little more than a website and a bizarre work ethic they've been compared by fans to Pavement but fit more in the tradition of Jon Bernson's Ray's Vast Basement in San Francisco or Philladelphia's low-key genius Keith Hampson's Power Animal. The driving force behind the music is an individual viewpoint and talent as a creative force versus a chaotic world that doesn't give two fucks about any of it.

A Footnote is the strongest track from 2005's non-album release of several MP3's through ND2's Last FM and Myspace pages. In March of 2007 they played their last show. In October of 2009, Audio Anti-Hero Records released "We're Gonna Walk Around This City With Our Headphones On To Block Out The Noise" which is ND2's first official album. This features tracks like I Killed Burt Bacharach and Footnote with lyrics like "Every Band I Ever Loved Has Eventually Let Me Down".

Who knows what the future holds for this band. The whole stuttered development of the band seems to represent the cycle of dreams and disappointments that the Parker brothers' music represents so well.

Nosferatu D2 - Live at The Spitz.mp3 (49mb)

References: